Seven small choices · 1 / 7
Your name, said by someone who wants something. Pick its colour.
A literary exercise, not a personality or synaesthesia test. Your answers stay here.
A colour to keep · not a label
Michael, in The Scars of Light · a work of fiction.
1080 × 1080 · share it only if you want to.
Four colours
Take the one that comes first.
The seven questions need JavaScript. Without it, here are the four colours and their passages.
Cold blue
A colour for the things left unsaid.
“I’m fine, Mom,” I would say, my voice a small, tight knot of blue, a color of defensiveness and retreat.
Burnt orange
A little warmth you did not give away.
It was a song of deep, warm orange. Not a flat, crayon orange, but a living, breathing color, the color of a sunset, of a bonfire, of a ripe persimmon. It was a color that had a taste, a taste of honey and cinnamon. It was a color that had a texture, the texture of warm, soft flannel. It was a color that had a feeling, the feeling of being held, of being safe, of being loved.
Grey with a seam of yellow
Some colour was always yours to keep.
I couldn’t. So I kept my secret world to myself. It was my treasure, my sanctuary, my one true home. It was a world where I was not strange, not different, not alone. It was a world where I was simply, and completely, myself.
White
You do not have to name it yet.
I was eight years old when I first realized the world had a secret language, a language that only I could hear. It wasn’t a language of words, but of colors and sounds, of textures and temperatures, a symphony of sensations that played out just beneath the surface of things. For me, the world didn’t just exist; it vibrated. It sang.
Where should the rest of your colour go?
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How is the colour chosen?
Each answer selects one of four literary palettes. The most selected palette becomes your card; a tie follows your last choice, then the first tied palette. It says nothing clinical about you. There is no right answer, score, or hidden personality model.